![]() ![]() The play’s title “1.8m” refers to the space available to individuals in overcrowded Belarusian prisons. ![]() “When the revolution in Belarus began, artists started fleeing… Then (Russian-born playwright and director) Ivan Vyrypaev proposed making a theatre play with Belarusian actors and that is how our huge cooperation with the New Theatre began,” Dashuk said. In the courtyard of Warsaw’s New Theatre, Marina Dashuk awaits the performance of her mentee Palina Dabravolskaya, a 27-year old Belarusian director and actress completing a residency for Belarusian artists launched in 2021.ĭashuk, 44, has worked as a theatre producer in Poland since 2013, but it was only after the crushing of anti-government protests in Belarus in 2020 that she focused on working with fellow Belarusian artists. Warsaw is also proving fertile territory for drama. ![]() “Many of my friends from Kyrgyzstan, Ukraine and Belarus feel at home here, also mentally, culturally and ideologically… We have a common past,” Krivich told Reuters. Poland, which borders Belarus and Ukraine, and was also once part of the Russian empire under the tsars and then of the Moscow-led Soviet bloc for decades – is a perfect place, in Krivich’s view, for artists to explore the theme of “decolonising Russia”. 24, 2022, Poland had been hosting thousands of migrants from the east, including people who fled a Moscow-backed uprising in eastern Ukraine and turmoil in Belarus and Central Asian states. “We came here to make banners for a protest at the Russian embassy and stayed,” she said.Įven before Russian troops poured into Ukraine on Feb. We like to call it the occupation of the Museum of Modern Art and the director is happy with the occupation,” Krivich, 34, joked. ![]() “We came here (to the museum) on the third day of the invasion and stayed. Krivich, who has lived in Poland for more than a decade, now organises exhibitions, workshops and other events at Warsaw’s Museum of Modern Art with the aim of confronting what she sees as the collective trauma of Russian colonialism. WARSAW (Reuters) – Yulia Krivich is part of a burgeoning community of artists from around the former Soviet Union that has helped turn the Polish capital into a major hub of creative talent, especially after Russia launched its full-scale invasion of her native Ukraine. ![]()
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